We’re excited to share with you some new discoveries and recent acquisitions. Get rid of those post-holiday blues by diving into the inspiring worlds of Keita Miyazai Maria Saygua Andre, Romeo Gomez Lopez

Romeo Gómez López (1991, Mexico) studied Visual Arts at ENPEG “La Esmeralda” in Mexico City and at the École Supérieure d’Art et de Design, in Tours (France). His multidisciplinary practice spans sculpture, installation, drawing, robotics, puppetry, and performance, offering a critical lens on contemporary social struggles. Through humor, Gómez López challenges conservative structures in art and capitalist society, envisioning resilient alternatives for dissident identities. Desire becomes, in his work, both a political force and a tool for sensibility and critique. +Info

New in our collection: Les futurmis, 2025. Bronze and glass.

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Keita Miyazaki (°1983, Japan) lives and works between Tokyo and London. He studied at Tokyo University of the Arts (2013–2015) and at the Royal College of Art, London (2011–2013), where he also completed a PhD in craft metal casting. Miyazaki’s work juxtaposes discarded car parts—symbols of capitalism, industrial progress, and mass production—with vibrant paper flowers that evoke renewal, resilience, and the inevitability of life. Through this unexpected harmony of contrasts, Miyazaki addresses human-made crises, from financial collapse to nuclear disaster, with a post-apocalyptic sensibility. +Info

New in our collection: Cognitive Red, 2021. Car parts and paper.

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Maria Saygua André (1996, Bolivia) is a Franco-Bolivian artist based in Brussels. She graduated in 2020 from the Académie Royale des Beaux-Arts, Brussels. Her practice unfolds through installations that merge textile structures and sculptural forms, building rituals around natural and repurposed materials. By weaving together Western and Andean references, she explores archives, oral traditions, and gestures to create new imaginaries that challenge hierarchies between craft and contemporary art, between North and South. Her works embody porous identities where matter itself becomes subject and memory. +Info

New in our collection: The Disc, 2021. Carved steel, burnt wood.